For this reason stained glass windows have been described as "illuminated wall decorations". In this context, the purpose of a stained glass window is not to allow those within a building to see the world outside or even primarily to admit light but rather to control it. In Western Europe, together with illuminated manuscripts, they constitute the major form of medieval pictorial art to have survived. Many large windows have withstood the test of time and remained substantially intact since the Late Middle Ages. A window must fit snugly into the space for which it is made, must resist wind and rain, and also, especially in the larger windows, must support its own weight. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the engineering skills to assemble the piece. The term stained glass is also applied to windows in enamelled glass in which the colours have been painted onto the glass and then fused to the glass in a kiln very often this technique is only applied to parts of a window. Painted details and yellow stain are often used to enhance the design. The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and objets d'art created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany.Īs a material stained glass is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Stained glass is coloured glass as a material or works created from it. The window includes the arms of France and Castile. Below is St Anne, mother of the Virgin, with four righteous leaders. It represents the Virgin Mary as Queen of Heaven, surrounded by Biblical kings and prophets. He and his sisters funded all three of the pictorial windows in the sanctuary and tradition says they were intended also as a memorial to his brother Julius and his father, the Revd Henry Venn Elliott.The north rose window of the Chartres Cathedral ( Chartres, France), donated by Blanche of Castile. His wife died in 1877, aged 34, while the new church was being built. Elliott had inherited the old St Mary’s Chapel in 1869 on the death of his brother, the Revd Julius Marshall Elliott, and transferred ownership of it to the Ecclesiastical Commissioners in 1876. The Resurrection window is inscribed: Sacred to the memory of Louisa Elliott 1877. Louisa Jane Elliott (née Dumbell), was the first wife of Sir Charles Alfred Elliott. The Resurrection and the Charge to Peter ('Feed my lambs'). ![]()
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